Born Troy Bond, Black Culture was born in the independent corporation state known as the Commonwealth of Virginia Incorporated. He represents that all to familiar segment of the community where wealth or access to resources was not so common, and thus his journey started, a young brother, caught in the web of the daily hustle not wanting to be subjected to the stress and strain that his family was burdened with .He has always felt something more than what was shown to him. Black Culture received much counsel from his grandmother and mother and was raised on the sounds of the soul singers of yesteryear. His Grandmother exposed him to Gospel and all its connotations and his Mother infused him with the likes of Heatwave, Marvin Gaye, The Commodores and other soulful singers of that era. The early eighties saw the emergence and impact of Rap and the Hip Hop culture, and as many youths in his time, Black Culture embraced the beats and the vibes fully. Kool Herc, Funky Four plus one, Kurtis Blow, The Treacherous Three and the artist of that time dominated his listening and Black Culture soon became adept at the lyricism and floetry of the genre. As a young adult, Black Culture was introduced to the teachings of the Nation of God and Earth and learned to study intensely and in time, the livity of Rastafari became a complete inspiration and the teachings of His Imperial Majesty, Haile Selassie I became the spiritual essence of who Black Culture is.. Later in life he also adopted crucial lessons from the Moorish Science Temple of America. This trod for culture and truth naturally oriented him to the powerful tones of roots reggae. Black Culture loved the upful aim and counsel of this foundation and his first and impacting inspiration came powerful artist like Burning Spear, Black Uhuru and Jacob Miller. To further his aspirations for communal livity, Black Culture founded the Lion's Den Culture Shop in Norfolk, Virginia. Not close to an easy endeavor as most culture shops attest, paying the rent was a constant challenge, yet the love to provide knowledge, information and a gathering place for upful fellowship was core to Black Culture's heart. This was his contribution, purpose! In Summer 2002, while awaiting trial for a Babylon offense, Black Culture linked with Bambu Station and in 7 days poured his heart, soul and being into writing and recording these songs. The studio sessions were long, spirited and impacted every musician with a sense of profoundness. When the album was finished, the fullness of Black Culture's core was simply introduced to the real adversity! This release begins the healing of a nation and the conquering of such adversity. The Black Culture lives and so we are all...blessed. Lift ev'ry voice and sing!

All The Way
Unreleased



Reggae
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(Washington, DC) – On June 1, 2006, freelance writer and reggae music critic, Ted Boothroyd of New Brunswick, Canada, gave Mt. Nebo Records recording artist, Black Culture rave reviews for his debut album “Lion’s Den Adversity.”

In his monthly column for http://www.jahworks.org (a leading Web site dedicated to Caribbean culture), Boothroyd had only compliments to bestow on Black Culture and stated “Black Culture is not a group, but a guy. And not just any guy, but this generation’s Ijahman Levi. If you know Ijahman, that may sound like extravagant praise, but just listen to “Haile I Selassie I.” (In fact you have, if you’ve heard last year’s Bambu Station compilation, Talkin’ Roots II.) What you hear on that track reflects exactly what you will find throughout this disc: thoughtful, beautiful singing and chanting over a patient, steady one-drop. You’ll also find subtle, pretty melodies and impeccable arrangements. This is gorgeous reggae, attractively packaged for good measure.”

The “A” rating and accolades that Black Culture received are further reinforced by other comments made by Mr. Boothroyd, who indicated that Black Culture’s music is more impressive when you read about some of the adversities he faced. Boothroyd made reference to Black Culture’s background, influences, and collaboration with the VI’s Bambu Station – “His early exposure to soul music gave way to the beats and the vibes of Rap music and Hip Hop culture through which he became adept at the lyricism and floetry of the genre. But in a non-standard twist, he then adopted the Rastafarian outlook and lifestyle, tuned into roots reggae, and even founded a cultural gathering place to promote ‘communal livity.’ Apparently he was awaiting trial for an unidentified Babylon offence when he joined with the talented Bambu Station crew and recorded all these songs over a period of a single, intense week. It’s a remarkable setting for all the creativity and beauty that shines forth in the music.”

Boothroyd went on to say - “Given the artist’s insistence on stability and reason and responsible behavior, you might expect something akin to wimpiness in the music itself. Nope. Not wimpy. There’s muscle here, and variety. It’s by turns luxurious, spare, dynamic, atmospheric, bubbly, pensive, friendly, challenging. ‘Never underrate a good cup a cocoa,’ Black Culture advises in one of his songs. Never underestimate a good, warm and nourishing reggae album either, I would advise. This is one.”

The entire review can be found at http://www.jahworks.org/v2/musicreviewsdetail.asp?ID=22.

“Lion’s Den Adversity” was produced by Bambu Station and is distributed by Mt. Nebo Records.

For more information on Black Culture, please visit www.mtneborecords.com; www.lionsdenvibes.com; and www.myspace.com/blackkulture for downloadable songs.

For interview requests, please contact Rosie Parke at 301-395-1013 or rosie@mtneborecords.com.

(Mt. Nebo Records Disclaimer: The issues, views and expressions reflected by the writer of this music review concerning Black Culture are an independent opinions of Ted Boothroyd).
3/18/2014 7:09:34 PM
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http://payplay.fm/blackculture, http://juninhorootsbahia.blogspot.com/2009/04/bl
http://bigupradio.wordpress.com/2006/07/21/lions-den-adversity-gets-a-rating-fro

BLAACK CULTURE