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heh |
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heh |
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piney woods studio 2008 |
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piney woods studio 2008 sound room |
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front cover, "the 21st century blues" |
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page 1, "the 21st century blues" |
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page 2, "the 21st century blues" |
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page 3, "the 21st century blues" |
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page 4 "the 21st century blues" |
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page 5, "the 21st century blues" |
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page 6, "the 21st century blues" |
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page 7, "the 21st century blues" |
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cover for "tales from musician hell" |
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cover for "my experience" |
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edison with the color of fire, 2004 |
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edison rockin' with his blues band, circa December 2001, in Egypt, Texas... |
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edison in the studio, may 2005 |
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edard at 18, with his '65 Gretsch Country Gentleman. Ah, the things we lose over the years of payin' dues... |
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edison in san diego, circa summer 1996 |
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edison cryin' da blooz and thumpin' the 5 string bass beasty. Circa December 2001, in Egypt, Texas... |
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edison rockin' on the keys as a watercolor, circa December 2001, in Egypt, Texas... |
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edison slidewindin', circa December 2001, in Egypt, Texas...the steel slide gives bite. |
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edison with heather moon, november 2003, in Fetzer, Texas. |
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a closer look at edison's mixer. we try to keep the suck control fully counter-clockwise. |
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edison with heather moon's band, october 2003, in Fetzer, Texas. Left to right, Brian Terrazo, drums, Frank Runyon, guitar, Heather Moon, and Edison Freeman, bass. All 4 made some awesome harmony together... |
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December 2001, in Egypt, Texas. |
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December 2001, in Egypt, Texas. That far away look in the eyes, ed breaks off into a solo... |
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edard on bass (the tall one in the middle) with "the barton road band", circa late 1992. this band worked steady around Los Angeles from 1990-94, fine musicians to a man. how about that blonde hair! |
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1992, more of the blonde-haired ed with his dad, Ted. |
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the entrance to Piney Woods Music, Magnolia, Texas. |
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edison with the color of fire |
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The kawai 7 foot concert grand piano, my main tool. This one is late '70's vintage, a survivor of the Northridge earthquake of 1994. What a sound. |
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the premier drum set, akg 414b-uls mics out of position |
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from the dead space, looking through the music studio to the lounge door, where Edison sits at the XP machine and waits for his muse. A blinding white light emerges as the old ones arrive to tell their story through his lyrics, hahaha |
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the heart of the studio, the alesis HD 24 recorder, with 144 positions of patch bay. next door is 24 channels worth of compressor/limiter/expander/gate units... |
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From top to bottom, my overdub preamps, the ART TPS 2 channel tube jobber. Below that, EQ for monitors, lots of effects, and the console power supply. This rack sits under the mixing desk. Everything is within the reach of the engineer. |
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the mixing desk with the i-mac sitting above with the starry sky screensaver. the door of the lounge/vocals room is visible through the door to the music room, and then the door to the control room. |
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the left hand swinging platform of the desk, with the monitors out in free air space...Behringer Truth below, Alesis Monitor One MkII above...the console is visible in the lower right hand corner to show the position, perfect for close field mixing. |
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a close up of the mixer, with my special songwriting ink pen on it. the top of the pen is the skull of a large rat, haha. don't tell sluggo.... |
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what i see when i mix in the wee hours... |
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the sound room |
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looking in the door to the sound room. |
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the studio made from a 56 foot by 12 foot office trailer, hey, it works. |
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edison, may 2005 |
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