The horse and carriage heard in the intro to the composition not withstanding, and although not originally written for this purpose, 'Minuet in D' has been used as a musical suggestion [prelude to the ceremony] from the bride to her guests in attendance at her wedding, signaling her intention to begin the ceremony. This lovely musical transition serves to subdue and alert attendees to find their seats in preparation to the imminent custom of 'The Processional,' solemnly culminating at the altar...
Engineered by J. Brandon Parrott at CaveBear Productions and Michael French at Down to Hear Productions; Engineered and Mastered by Patrick Collins at Collinator Studios
|
Originally entitled 'The Arrival,' the story board in my mind suggested a romantic European setting [circa 17th century] of a yeoman street sweeper and his unrequited affection for a gentry class woman of considerable means, transported by horse and carriage.
|
|
x |
|
 |
|