Innocent and childlike, this composition is among the oldest in my catalog. Written about 1977 on an available upright, a Steinway Grand is heard in the production's intro followed by sections of cellos, French horns, violins, percussion and harpsichord. Abraham Carlton Elliot seeks to capture the imagination and wonder of the post-toddler worldview from my vantage of about 23 years of age...
Engineered by Michael French at Down to Hear Productions; Engineered and Mastered by Patrick Collins at Collinator Studios
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Written on the occasion of his fifth birthday, Abraham Carlton Elliot was witness to its inception and likely unaware of how easy was its creation and how enduring of a memory it has remained. Digitally recorded in the late '80's, and perhaps, ultimately the fastest production of all my work...
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