|
He Builds a Wall
layered acoustic guitars, dumb drum beat, proggy bass, double-tracked vocal
|
|
Alternative Pop Rock
|
|
Pinwheel
rolling internal rhymes to a two-step beat
|
|
Folk/Acoustic Rock/Americana
|
|
For Laura
One voice one guitar
|
|
Folk/Acoustic Rock/Americana
|
|
Let Go
A fingerpicked intro with vocal expands into a Beatle-esque rave up.
|
|
60s folk-pop
|
|
Flying Dream
Heavy on the Indian influence, lyrical content is a composite of my favorite flying dreams, "sitar" complements of Yamaha Motif, crazy fuzz solo, very active rhythm section. All self-done.
|
|
Alternative Retro and Psychedelic
|
|
Of the Stars
Punk guitars with megaphone vocals descending from spaceships with a political message from the future.
|
|
Alternative Retro and Psychedelic
|
|
The Moon
Indian raga-like acoustic guitar figure, melodic bass line, crooner vocal, retro keys (really, an 80's Casio), Hendrix quoted in outtro solo.
|
|
Acoustic guitar pop
|
|
Your Ocean
A blues number with guitar, sax, an attempt to sing like Lou Reed, clean-toned blues licks.
|
|
Alternative Blues
|
|
Trip
Slow-motion landslide of guitars, or slow-mo of rocket exhaust if you prefer up to down. Notched wah+delay solo over odd-meter when things get weird. That's when you might hear sleigh bells, and they're real.
|
|
Alternative Retro and Psychedelic
|
|
You're Not the Solution (Learning to Love Myself)
Croonerville with a nice breezy feel. Soft and easy, but with a serious-sided lyric.
|
|
R&B/Soul
|
|
Other Mechanical Mother
sparse arrangement, acoustic guitar, distorted bass, and a tumbling beat. I thought ended up sounding a bit like Arcade Fire. Except - the solo outtro is like no one I can think of.
|
|
Acoustic guitar pop
|
|
Flowers Bang Bang
Sludgy bass line, laconic vocals with more than a touch of irony, retro guitars, a stab at Kraut rock.
|
|
Alternative Retro and Psychedelic
|
|
Flower of the City
An attempt to write like Syd Barret, and to sound as if the track came from Madcap Laughs or Opal.
|
|
Alternative Retro and Psychedelic
|
|
The Big Freeze
Best example of what can happen when the stars align. Except all that was there to describe was desolate. Don't stop listening too soon - WAIT FOR IT!
|
|
acoustic indie pop
|
|
The Fun (acoustic)
performance acoustic and voice
|
|
Alternative Retro and Psychedelic
|
|
Sailing Away
a march beat, sonorous Ebow lead, poetic lyric, spidery raga-like acoustic phrases: an artist surveys the world and returns to four, blue walls
|
|
Alternative Retro and Psychedelic
|
|
Lonely Star
Horn intro sets the theme. A lighthearted bluesy base-line set to a shuffle/march. Many orchestral, layered parts. A trip out to the cosmos on one chord finishes the ride, with a Miles Davis-like horn leading pied piper style.
|
|
Alternative Retro and Psychedelic
|
|
Leaving Jill Behind
A tiny song with nursery rhyme simplicity.
|
|
Ballad
|
|
Have you seen the sun?
An attempt to build upon John Lennon's "sitting in an English garden waiting for the sun." Moody piece but ultimately hopeful. Dark fuzz solo over a proggy Pink Floyd bass line ala Animals.
|
|
Alternative Retro and Psychedelic
|
|
Take Me
My take on a fifties style progression
|
|
Ballad
|
|
Nobody Knows How the Tune Goes
uptempo acoustic guitar, retro keys, tribal-like kick, spoken lyrics,
|
|
Acoustic Rock
|
|
The Great Divide
Chugging acoustic, dark lyrical content, a Neil Young-like one-note (nearly) solo.
|
|
Alternative Acoustic Rock
|
|
Angel
Big stereo guitars, ascending weirdo-spooky piano, thumping bass, astral outsider lyrics
|
|
Ballad
|
|
The Fun
An attempt to produce the acoustic version "The Fun" more completely. Drums, strings, woodwinds, electric guitars, washy symbols...
|
|
Alternative Retro and Psychedelic
|
|
I want to thank you
Verby and dark acoustic guitar loop, simple and direct lyric, followed by a long outtro of sustain-y and moody piano.
|
|
Alt Nouveau
|
|
No One
A kind of answer to Sir McCartney's Fool on the Hill, made obvious by re-purposing the melody mostly unchanged.
|
|
Acoustic guitar pop
|