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Sharp Practise
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8/20/2009 5:24:11 PM
All done and dusted

8/5/2009 5:52:05 PM
Keeping songs fresh

7/21/2009 5:31:09 PM
Album title chosen

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Lyrics on website and artwork in prep

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Time to phone a friend

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2/13/2009 9:40:33 AM
Mixing with automix

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Dead centre, then loop the loop!

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Making the vocals work for the song

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Planning to record vocals

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Keyboards to the front

10/21/2008 9:27:35 AM
Never the same pattern twice

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Getting the drums down

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Thanks for the comments about mixing theory

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Mixing in practice

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My theory of mixing

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The melody palette

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A palette of sounds - part one

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Making a collection of songs sound like an album

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Making a new album - part 2

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Making a new album



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Sharp Practise

2/13/2009 9:40:33 AM

Mixing with automix
So, what do I do with those other two effects loops (keep your answers clean, please!)? Well, one tends to get used for backing vocals, with just a hint of room reverb and an extreme left/right panning placement. It’s surprising how much width and depth you can add to your bv’s this way. The other loop gets pressed into service wherever its needed - a bit of chorus to a pad keyboard sound or whatever.

Let’s see how this works out in practice on the mix for the opening track, Hook In My Heart. Although this is only a three minute song, it’s quite a complex mix, with instruments coming in and out and a restart after the second chorus. To cope with this (and the fact I only have two hands) I make a series of scenes (25 in this case). Each scene records the mix of a part of the song, e.g. intro, first half verse two etc. Then I use my automix facility to record this basic set of mix changes as I go along to create a rough mix. That way, I still have ten fingers free for faders to make any intuitive corrections as I mix.

I got one very good tip from Fran Ashcroft about making mixes on digital equipment, which is make sure the drum balance is right and get the vocal levels to sit well. More about this next time.


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